With its bizarre onslaught of sentient drugs, invisible aliens and time-tripping insanity, Don Coscarelli’s John Dies at the End (opening tonight at the Sie FilmCenter) is like no film you’ve seen ...
Aamis can be simultaneously read as a slow-burning forbidden romance, an allegorical nod to socio-cultural repressions, and as macabre corporeal horror. Yet, a true reading of the sequence arrives by ...
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